The main premise of this arc is that Kirito, while on a date with his girlfriend Asuna, is caught off guard and stabbed to near death by one of the three Death Guns from the previous season. Kirito himself is less a factor than in previous arcs, he is still partially to blame in the indistinct coverage of how this season adds to the themes of the franchise. If something from earlier is justified, it can feel annoyingly retroactive. What he wants to get across is almost always clear, and there are effortful attempts to act on those ideas, but with the anime’s focus on moving the plot forward rather than making details feel elaborately set, it ends up bringing down the entire experience to make watching the series weekly for the most part, feel like a slog of boring exposition attempting to cover up poor pacing of external events. Its writer, Reki Kawahara, keeps getting in his own way, and when he doesn’t, the anime eschews his vision. Sword Art Online’s biggest problem is itself. Look no further than the original Aincrad arc, praised most by anime-only fans for its concepts, but forcibly rushed to completion when its author chose to submit a word limited contest draft as the first novel, compared to refining the fully story he wanted to make. in how it would be handled, but aside from arguably the Mother’s Rosario arc, this wasn’t given enough space in the narrative between all the superfluous anime tropes that seem to be there to draw the most general audience possible. Escapism, blurring between actions of reality and fiction was always a thematic that separated the series from the many isekais this decade that followed in its footsteps, and something that held my interest A series deserving of the immeasurable hype phenomenon it generated. I was even sticking out for it upon its announcement because for all of the problems earlier iterations of SAO had, there was always a sense that, if the finer details were checked over and looked at in complete retrospect of what came before, it could be deservedly fun, inspiring or genuinely meaningful. He sets off on a quest, seeking a way back to the physical world once again. When he comes to, he discovers that he has made a full-dive into the Underworld with seemingly no way to escape. Kazuto is mortally wounded in the ensuing fight and loses consciousness. When Kazuto escorts Asuna Yuuki home one evening, they chance upon a familiar foe. Kazuto can only vaguely recall a single name, Alice, which provokes a sense of unease when mentioned in reality. As per the confidentiality contract, any memories created by the machine in the virtual world are wiped upon returning to the real world. He works there as a part-time employee to test the system's capabilities in the Underworld: the fantastical realm generated by the Soul Translator. The private institute Rath aims to perfect their creation by enlisting the aid of Sword Art Online survivor Kazuto Kirigaya. If this information is not provided, the newsletters will not be made available.The Soul Translator is a state-of-the-art full-dive interface which interacts with the user's Fluctlight-the technological equivalent of a human soul-and fundamentally differs from the orthodox method of sending signals to the brain. Required information is indicated by an asterisk. In the event of a dispute, you can refer the matter to the French National Commission for Information Technology and Civil Liberties (Commission Nationale de l'Informatique et des Libertés). You may exercise these rights at any time by using the unsubscribe link in the newsletters or by e-mail. You have the right to request, access, rectify, delete, oppose for legitimate reasons, and transfer all of your data, as well as the right to formulate specific and general instructions concerning the storage, deletion and communication of all post-mortem data. This data is stored until you revoke your consent, and is intended for use by Bandai Namco's services responsible for customer relationship management. Such data processing is carried out only with your consent. In accordance with Regulation 2016/679 of 27 April 2016, your full name and email address will be used by Bandai Namco for the purpose of providing you with a newsletter and information about Bandai Namco's activities.
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